In Mametland, a Skirmish in Black and Whit

By BEN BRANTLEY The New York Times: December 7, 2009 No sooner had the curtain fallen on David Mamet’s “Race” the other night than the predominantly white audience rose, smiling, to its feet. Standing ovations on Broadway have become a conditioned reflex, but this one seemed a shade more self-conscious and self-congratulatory than usual. You could argue [...]
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Τυχαία Θέματα